DRACULA RESURRECTION WHERE SCISSORS FULL

This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Mette Hjort, Hong Kong Baptist University, Hong Kong This fine collection makes a most welcome contribution to the study of ‘small’ national cinemas. It usefully charts the changing landscape of Peru’s film legislation while offering a cogent grouping of the films, the aim being to clarify the different aspirations of contemporary Peruvian filmmakers and the diversity of their approaches to film production and audience building. “This volume makes a convincing case for 21 st-century Peruvian films as a distinct body of work. David Martin-Jones, University of Glasgow, UK Undoubtedly this will be a “go to” text for Peruvian cinema for at least the next decade.”

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Recognized mostly for its internationally feted art films, now the full picture comes into sharp focus, acknowledging Peru’s metropolitan rom coms, artisanal digital indies, regional commercial films, female-led non-fiction, shorts, experimental and indigenous filmmaking. Carolina Rocha, Southern Illinois University Edwardsvillle, USA“This ground-breaking collection uniquely illuminates the vibrant panorama of contemporary Peruvian cinema. The breadth of this volume makes it essential reading for those interested both in Latin American cinema and Peruvian culture.' 'This volume brings together scholars from Peru, Europe, and the United States whose lucid essays situate Peruvian film production within a global context.

Dracula resurrection where scissors